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Wayne Allen Jones: News Briefs and Upcoming Events
3/3/2006 - At the DvA Gallery, Jones plays third fiddle
to Flannery and Anderton,
with accompaniment by Atlanta's 3-first-name poet-on-tour, Mark Anthony Thomas:
It's on film and the odds are you missed it in person. Now you will have to
ask Hugh Schwartzberg,
lawyer and performance-poetry documentary-film-maker (Stay tuned for my new
treatise,
"Compression and Hyphen" ). There was a healthy
good-sized crowd and, mirabile dictu,
some of them purchased fractaledgepress
books!! If you know the work of Maureen Tolman
Flannery and Lucy Anderton, you are now abject in your self-pity and
self-loathing for having
missed another chance to bathe your sonic soul in their mysteries. Jones read
unpublished works:
"The Scent" (a Word Gourmet word-jam piece), "The Closet" and "The Corner"
(parts 2 & 3 of
the triptych of Viet Nam poems based on the experiences of Larry Moseley), [he
skipped
"Sabbath" & "Murder" from the forthcoming book, The Decalogue], the
7-section "Dreams of
Direction," and ended with "Clean Up" (recently workshopped at the Poets Club of
Chicago).
Here's the poster David van Alphen ginned up for the reading:
2/25/2006 - Larry Janowski and Jones
provide marathon poetry critique for the Poets
& Patrons Club at the Harold Washington Library: Yes, they'll do anything
for pay - even things
they love - like talking at length about poetry. The two J-boys worked over 12
poems in about three hours
(without a break - who needs a break when poetry is spread out on the table
while the audience is
anesthetized for verbal surgery?). The authors whose works were subject of the
twin-bladed revision
machine were delighted that someone had taken the time to delve deeply into
their works, and they
bought books - bless them with four-color, clay-coated publication of many
volumes! Beth Stass was
the able host and would be delighted to receive inquiries about membership in
the organization, which
meets at the HW Chicago Public Library for poetry critiques on the last Saturday
of each month. Click
here or on her name above to request
further information about the organization and the membership criteria.
Coming: Jones fills in as host on 2/14
while Newmans romance in The Big Apple - remembers to
produce the "exquisite corpse" variant of borrowed lines and phrases of the open
mic works.
2/7/2006 - Jones, the Stealth Feature
@ The Café: Maureen Tolman Flannery swapped places
with Al DeGenova, but discovered that she had a conflicting obligation - SO,
@ the Café host,
Charlie Newman, turned to Wayne he's-always-got-something-to-read Jones to fill
in. The bulk of
the time was spent on verbally dense prose essays published in The Class Reports
of the
Class of 1967 for the 30th and 35th reunions. Oddly linked by references to
movies with Robin Williams
in them, these were the 2nd and 3rd of three such pieces. Jones had read the 1st
(for the 25th
reunion) a couple of weeks before and felt a peculiar need to complete the
series. He opened and
closed with recent unpublished poems to bracket the prose assault on the
sensibilities of the
they-took-up-more-than-one-table-this-time crowd of regulars and a new face or
two.
12/20/2005 - Jones features @ The
Café and reads one poem from each book of poetry
published by fractaledgepress:
Charlie Newman's comment was: "Lemme say, you have no idea
of exactly how incredible the output of Fractal Edge Press
is until you hear Wayne Allen Jones read one
piece from each book. No matter how kickass you think it is, it's more.
Outstanding final feature for 2005."
The not-your-own-poetry night was meant for all fep
authors, but the notice was late, and although Tom Roby
and host Charlie Newman were present, Jones preempted the task - a true labor of
love - of picking and
reading one poem from each book - curiously, many, if not most, had to do with
writing or reading poetry.
The similar theme and the varied styles created a wonderful quilt of some of the
best poetry Chicago has
to offer from one press. No mics, no recording devices - you had to be there.
9/2/2005 - First anniversary reading at the DvA
Coming: Jones at Chicago Poetry Fest 2005: hosted by
ChicagoPoetry.com
7/26/2005 - Jones features @ The
Café to entire table of other poets: coming.
6/3/2005 - fractaledgepress
authors hold DvA Gallery audience and 35 webcast listeners hostage
during a marathon reading lasting two-and-a-half hours - strangely, no one
complains: coming.
4/1/2005 - Jones joins other April fools to feature at
First Friday Series at the DvA Gallery:
In a historical breakthrough, Chicago publisher/poet, Wayne Allen Jones,
regaled a throng of three million -
all the poetry lovers in the world -
from the Pope's balcony at the Vatican. He was joined by William
Shakespeare,
William Blake, Walt
Whitman, T. S. Eliot, and William Carlos Williams. The
reading was the first
trans-temporal poetry wheel - each poet read a poem that leveraged the theme or
a formal characteristic
of the previous poem. Ironically, the poems spiraled deeper and deeper into a
single theme centered
on barnyards, farm animals, farm implements, and farm machines. Williams drew the short
straw and
sent the reading down the rural path with "The Red Wheelbarrow." Shakespeare's
invention was ever
in evidence - he managed to find astonishingly insightful linkages without ever
leaving his little clutch of
gay sonnets. According to a ground rule established before the reading began,
Whitman and Jones
were constrained to excerpts not to exceed three minutes each - neither had ever
written anything
worthwhile that could be read in less twelve minutes. Those two kept a strict
watch on Blake and Eliot, and
Shakespeare and Williams were prevented from ceding extra time to any poet
exceeding the windbag limit.
As an ironic protest, Whitman only read excepts from "Song of Myself." The other
poets were awestruck
by this tour de force - especially Eliot, who had the most difficulty
keeping the rural flow of the wheel.
The linguistic difficulties created by the venue were overcome through
technology provided by Lem Roby,
Bose, AudioTechnica, Motorola and the United Nations Translation Service, headed
by Nicole Kidman.
Each poet had a set of state-of-the-art, noise-canceling
headphones fed by the mics
of the other poets.
The crowd heard simultaneous translations in
their choice of 27 languages
broadcast wirelessly to
souvenir ear-clip receivers intended to serve as
hands-free cell phone devices after the reading.
Luckily,
a potentially volatile situation was diffused after synchronous
translation errors into Farsi, Urdu,
Tajik, Uzbek,
and Uyghur nearly incited a flare-up of the border tensions in the
Western Himalayas.
Kofi Annan, U Thant,
and Dag Hammarskjöld had nothing but praise for the
effectiveness and restraint
of the Italian constabulary
and the elite commando unit (led by Sean Penn) that responded so quickly
than no one's garments
received so much as a flattened crease or an extra wrinkle. Not even the
soldiers were obliged to reshine
their jackboots. The other notable save-of-the-day involved Chicagoan Jones.
During a fire drill at his hotel,
his poetry books, manuscripts, and laptop computer were stolen from his
room where he had been
indexing his work to help speed up the poetry wheel. He was at a loss about how
to participate because
he has no poems committed to his sieve-like memory. Fortunately, the Pope loaned
Jones a complete
collection of fractaledgepress books from
his private nightstand. When asked for his impression
of the reading, the Pope said, "With confidence, we can call them all Aristocrats."
11/5/2004 - Jones joins performance artist Yolanda and
the surreal editing
duo of Milk Magazine at the DvA Gallery: Fractal Edge Press
publisher/poet,
Wayne Allen Jones, joins Yolanda Androzzo, Youth Out-Reach Manager at the Old
Town School of Folk Music, and Lina ramona Vitkauskas and Larry Sawyer, the
editors
of Milk Magazine for the third reading in the new monthly series of
events at the DvA
Gallery, as host, Charlie Newman's announcement reads: "Friday...November 5...
8:00-9:30...2568 N. Lincoln Ave No admission charge No
cover charge Free
Intelligensia Coffee Great poetry." Bring a chair or a cushion, or
wear sensible shoes
if you don't mind standing. The venue is open, the sound lively (when the Brown
Line is
not going by on the El outside the door), the paintings displayed varied and
interesting,
and the attendees are attentive and sharp listeners.
11/2/2004 - While the World Watched the Returns, Jones
Featured @ the Café:
Skipping out of the last 45 minutes of his Psychopathology Class, Jones
mistakenly
sat backstage from the new position of the mic, putting together his set list,
while Dina
Stengel, Tom Roby, and Ed Waszak rounded out the open mic. In acknowledgment of
the political context of the day, Jones turned to the recently published work of
Ray McNiece
and read "Washington Weather Report," "A Bad Night's Sleep," and "Life is a
Dream"
from Us? Talking Across America, just released by Fractal Edge Press. For
the rest
of the set, Jones turned to unpublished material, some old, some new - all piece
never
or seldom read in Chicago or elsewhere. From the voyeur's monologue of "In the
Closet"
to the trilogy of grieving poems about love lost in Chicago, Jones focused on
poems
both shorter than usual and more lyric - more the snapshot to evoke feeling than
usual,
circular narrative arc of many of his longer works. "No image for it" took
a surreal look
back to Easter in Flagstaff, AZ, "Desert Morning" scattered jackals in imagined
Africa,
"The Western Wall" leveraged a Lexington, MA painting into a mineral, animal,
and
vegetable analysis of the elements of the work, "The Message" broke up the phone
company message, "The number you have reached is not longer in service," into
three
dream images of travel, "The Substitute Carrier" harkened back to Jones' first
job as
a substitute paperboy, "The Road to Trespasser's Hill," winked at nature's
response to
urban development in the early west, "My Great Aunt" gave a quick glimpse at the
discomfort of encountering distant relatives, "Malvern Sunset" struggled with
the problem
of determining the causes of natural phenomena in a world overtaken by human
culture,
"The Challenge of Chicken George" recalled the odd partnership of a boy and a
fighting
rooster memorialized in a portrait in a Santa Monica restaurant, and "Tricks of
Beauty,"
"The First Chocolate Martini," and "Wake at Selmarie," mentioned previous closed
the evening. All ten titles available from Fractal Edge Press were displayed for
sale and
McNiece's book, Billy Tuggle's new Conscience Under Pressure, and The
A
Poems
joined the collections of the loyal attendees of Charlie Newman's
regular Tuesday night
open mic at 5115 N. Lincoln Ave., just south of Foster Ave.
9/21/2004 - Jones Rocked Trace as Feature at the
PolyRhythmic's Open Mic:
The feature slot at Trace was almost as much as surprise to Jones as to the
audience
in attendance. Asked just the night before at Weeds if he was still planning on
reading
the next night at Trace, Jones registered his surprise, responding, "Sure - if I
knew
about it." This lack of certainty gave the PolyRhythmic member asking pause.
"Well,
let me check to make sure you're the feature this week." At noon the next day,
the
phone call said, "I think you're on tonight; so bring more than one poem in
case. But
don't be mad at me if it doesn't work out." Jones arrived early, got the nod,
"Yes, you're
the feature." It was all good. He sat in a corner putting together a set
list, and revised it
significantly just before going on to accommodate the interests of some of the
regular
attendees. He took a special time to get grounded and settled while waiting for
the
midnight feature.
He started off with a poem he had
just written that evening bringing in the baseball
crowd of Wrigleyville into the upstairs venue with its large provocative
paintings.
One block away a thousand voices rise.
The lights there will blind you like the sun.
At the last out, the pseudoplasmodium explodes -
one-celled rapids wash a flashing flood down Clark -
turbulence in stumbling chaos, the fractal a drunkard's walk.
With any luck you spin off the river bed,
defy the last Trace fo gravity, flowing upstairs.
Here one voice at a time blinds you like a son
seeing his mother remembering his dead father
at the crossroad. But the lights, otherwise low, cluster
where a harlequin vampire plays an accordian
in an empty circus tent while, in shadow,
doves looking for peace find an empty hand,
the man's sack of popcorn spilled on the sidewalk
after the game. The water, pooled at last,
waitsw to evaporate while New Orleans
empties before waves to the eves.
My throat trembles at the mic
working for air, hoping to touch your ears.
There after followed "Pieta," "Trophy Talk," "Roar Shock,"
"Where are the Children?"
"The Scent," "Among the Ways," "Invitation," and from The
A
Poems,
"The Touch."
The response was enthusiastic demanding an encore. Jones finished the very
satisfying
evening with "The Neatness of Her Hair," read for the first time from The
A
Poems.
8/28/2004 - Jones Read in Chicago Poetry Fest 2004:
Chicago poet/publisher,
Wayne Allen Jones read during the third hour of
ChicagoPoetry.com's Chicago
Poetry
Fest 2004, under the tent at the plaza on
N. Lincoln Ave., facing Selmarie. The sound
system provided by Tom Roby's progeny was the best Jones has encountered
at the few venues he haunts. The hardy folks enduring the intermittent rain
compensated
for their numbers by their intensity, careful listening, and appreciation of the
line-up
of equally hardy poets. Jones read something from each of his books and felt
that
the sound system had helped tremendously in making it one of the best readings
to date.
In the absence of any photo from this year's foray, here is a photo of Jones from
Chicago
Poetry Fest 2003:
7/20/2004 - Jones Reads in Poetry Cram II @ The Café:
Chicago poet/publisher, Wayne
Allen Jones, skipped out early on his class to read at the record-breaking
Poetry Cram II
@ The Café (5115 N. Lincoln, Chicago). The regular Tuesday open mic event, @ The
Café
hosted by Charlie Newman, became
the occasion of 39 of Chicago's best poets in one
2-hour-and-15-minute reading, obliterating the initial benchmark of 28 set at
the first Poetry
Cram on 3/13 (see below). Jones read "Adultery" from his forthcoming chapbook,
The
Decalogue.
The enthusiastic crowd was taken aback by the odd patterns
revealed on Jones' shirt by
black-light bulbs of the Café's decor. He tried to blame the people at the
laundry; it's unclear
how many people were convinced by is protesting too much. Nevertheless, his
choice of
poem was oddly fitting.
6/30/2004 - Jones Competes in the Gwendolyn Brooks Open
Mic Awards: Chicago
poet/publisher Wayne Allen Jones participated as one of 25 finalists in the
Gwendolyn Brooks
Open Mic Awards competition, sponsored by the
Guild Complex at the
Chopin Theatre on
Wednesday, June 30th. He read a condensed version of "The String," the first of
three poems
about the Viet Nam experience of Larry Mosely, a security guard at Roosevelt
University.
Jones did not make it past the first heat. The winner of the $500 check
presented by Ms. Nora
Brooks-Bailey, writer and daughter of Gwendolyn Brooks, was Senom, one of the
members of
Young Chicago Authors.
5/25/2004 - Jones Features @ The Café: As the cake
celebrating host Charlie Newman's
recent but unannounced anniversary of his nativity was being served to the
assembled
devotees of Tuesday evening poetry @ The Café, Chicago poet/publisher Wayne
Allen Jones
began a reading that spanned all three of his publications, including the one
being officially
released that evening (the second rationale for the cake). The started with two
short warm-up
pieces, "The Boat Absolved" and "I see thee not, yet I touch thee still" from
Stone Works (2002).
He read "The Touch" from the collaborative work, The
A
Poems.
Having read several
of the poems from the new book on other Tuesday nights @ The Café
in anticipation of this
evenings book release and feature, he ended the evening by reading the four
poems from
Section IV [The Seasons].
5/21/2004 - Decades of Rehearsal Published:
Fractal Edge Press finally announces
the publication of Wayne Allen Jones's third book of poetry, Decades of
Rehearsal. It was
available in time for Jones's participation in the open mics at Chicago Coffee
on 5/21 and
Weeds on 5/24, and for his feature at The Café on 5/25. For more information and
ordering,
see the links on the Books and Chapbooks page and
news release.
3/28/2004 - New Logo Auditions at FEP Website:
Fractal Edge Press has published
a new press release announcing the auditioning of a new logo (see the top of
this page).
Flush from the first run through the Quick Tutorial of
Ultra Fractal 3,
FEP Editor/Publisher Jones found a lovely edge in the Newton function that
seemed to
capture the (now you're starting to get the connection) delight in complexity
that forms the
basic attraction of fractals to the increasingly isolated, but not yet hermetic
writer. Click
the link at the left for the full press release.
3/28/2004 - Jones to Feature @ The Café: After the
conclusion of the benefit reading
for ChicagoPoetry.com, held 3/13
@ The Café, co-host of the benefit and regular
ring-master of the open mic readings on Tuesday evenings (@ The Café),
Charlie
Newman,
agreed to schedule Wayne Allen Jones, Editor/Publisher of Fractal Edge Press, as
the featured reader @ The Café on May 25th. The evenings start with an open mic
at 8 p.m.,
and the feature begins circa 9 p.m.
Send email to
Charlie Newman <zootsuitbeatnick@yahoo.com>
to get on the mailing
list for further info on the other events and features @ the Café. Meanwhile,
checkout Charlie's
websites if you don't mind wandering the Web following the really interesting
links Charlie
provides to share his eclectic interests.
3/26/2004 - Decades of Rehearsal Goes to the
Printer: Chicago poet and Editor/Publisher of
Fractal Edge Press, Wayne Allen Jones, sent his next book of poems to the
printer today -
publication is expected on April 21st. Jones took Decades of Rehearsal (80
pages) to CGA:
Corporate Graphics of America to CGA's new offices and print shop at 5312 N.
Elston Ave.,
Chicago. The book will be produced very much like the previous collaboration
with CGA:
The A
Poems.
Returning project leader, Hank Goers, explained that instead of having the
matte varnish so many readers have appreciated on the cover of The A
Poems,
the cover
of the new book will be treated with a new aqueous matte finish process that
provides an even
harder finish than the varnish. The part pages of Decades have a
black-and-white photo for
each poem. The price of the new book is $15.00 for single copies. For further
details see the
book description page.
3/13/2004 - Jones Participates in ChicagoPoetry.com
Benefit Reading: Taking advantage
of an early dismissal from his Roosevelt University graduate class in Chemical
Dependence,
Wayne Allen Jones, Editor/Publisher of Fractal Edge Press, showed his support
for the gathering
place for information, news, and opinion on all matters poetic, fictional, and
otherwise literary:
C. J. Laity's ChicagoPoetry.com.
The evening was billed as not a Chicago Poetry Slam, but
as a Chicago Poetry Cram - the idea being to fill the venue (The Café, 5115 N
Lincoln, BTW)
with as many poets as possible and bring them all to the mic at least once. The
new bar for poets
to the mic in an evening now stands at 28. For a full report and a picture of
Jones once again
threatening the mic with a right cross (a picture some say gives a new
interpretation to the phrase,
"eat the mic"), check out the link "CLICK HERE FOR: 'CHICAGO POETS CRAM THE
CAFE'"
on the ChicagoPoetry.com home page. Here's the photo:
10/11/2003 - Houston Poetry Fest, Houston, TX: Jones
was selected as a Juried Poet
in the Houston Poetry Fest for the third time. He took part in the Saturday
afternoon open mic
and read during his assigned slot on Saturday evening. He read two poems from
the series
in progress called Decalogue, based on the Ten Commandments of the Old
Testament.
There is a video of the reading in case anyone who missed the event is
interested.
9/5/2003 – Houston, Texas: On September 5, 2003,
Jones was the featured reader
at the First Fridays Series in Houston Texas. His forty-minute reading was
greeted with
a standing ovation from the overflow audience.
First Friday Series readings are held in Inprint
House,
1524 Sul Ross, across the street
from the Menil Museum, a block east of Mandell,
in Houston, Texas. Admission is free.
There is always an open reading after the
featured poet.
8/23/2003 - Chicago Poetry Fest, Chicago, IL: Jones
was selected to read at
the opening session of the Chicago Poetry Fest at Truman College, sponsored by
ChicagoPoetry.com. Jones read two poems from Stone Works. He was also an
ad hoc
addition to the program at Weeds on Sunday. The host, C.J. Laity, introduced
Jones
at the Saturday event as the seventh and last Knight of the Mystic Pen. The
seven Knights
were deemed to have contributed to the Quest for the Mystic Pen, a quest
shrouded in
mystery, raucous laughter, and perpetual readings.
7/11/2003 - Asbury, NJ: At the Unity Spiritual
Center in Asbury, NJ, Jones read poems
from his books and forthcoming works. The feature was followed by a spirited
open mic
reading from the members of Poetry and Art Forum.
5/29/2003 - Coffee Chicago, Chicago, IL: Jones
featured at Coffee Chicago on May 29,
2003, as part of the Higher Ground Poetry Venue program, hosted by John Starrs.
After
an round of open mic offerings by the regulars, Jones read from his books and
from forthcoming
volumes. He ended with "Steel," a poem that had the audience engaged in relating
what
they knew about the steel mills and the shutdown of Southworks. A video of the
reading is
available for those who missed the evening event.
5/10/2003 - Guild Complex, Chicago, IL: At the
Studio Stage of the Chopin Theatre,
Jones joined fellow Guild Complex workshop participants, Jane Haldiman and
Maureen Riley,
in a performance of interactive performance storytelling. The performances were
directed by
robert karimi, Artistic Director, of the Guild Complex.
Jones started the evening off with a condensed version of
his poem, "Rope." He began
by giving everyone in the audience a short piece of rope and asked them to
connect ropes
with two other people. He then tied the rope belt of his costume to the free end
of audience
tether. He delivered each section of his work from a different part of the
lounge area
of the Studio Stage.
Each section focused on a different type of rope - a halter
for a water buffalo, a bell rope
of a New England church made from the halyard of a Chinese junk used to rescue
missionaries
from the Cultural Revolution China, a cincture of a monk in spiritual turmoil, a
noose haunting
the imagination of a condemned murderer, and a clothesline and double-Dutch jump
ropes
of girls in a crowded city.
The moment of greatest surprise came when Jones jumped from
an eight-foot ladder
with a noose around his neck apparently hooked to an eye-bolt in the ceiling.
The rope,
however, was not attached, and after an insufficiently long pause, Jones
finished that
section, and led the audience into the Studio Stage for then final section.
robert karimi and
Ellen Wadey of the Guild Complex staff assisted during the last section by
whirling
the double-Dutch jump ropes. No one could be found to audition for the part of
the jumper.
Haldiman's piece portrayed the tension and collapse of a
love relationship, and Riley explored
the ways early childhood experiences with parents and religion can have
unintended
consequences in later life. The three players answered questions from the
audience after
the performance. There is a video of Jones' segment of the evening if anyone who
could
not attend is interested in viewing the performance, including the ladder dive.
2/20/2003 - Deep End Cafe, Lambertville, NJ:
Jones was the featured reader for a small
but enthusiastic crowd at the Deep End Cafe in Lambertville, NJ. Jones intended to read
all the poems in Stone Works
and make
a recording of the reading for his mother, whose
eye-sight has failed to the
point where she
cannot read the 10 pt. type of the book.
At the end of the reading, which had
been marked by
more than the usual degree of
risk-taking in the delivery, Jones discovered that
one side of
the audio tape had lasted
as long as it did because he had initially forgotten
to switch
the recorder out of Pause.
So nothing was recorded at all. There was
sighing, gnashing
of teeth, and bitter
self-condemnation. But no one particularly noticed the
difference from his
ordinary demeanor.
2/19/2003 – Bridgewater, New Jersey: Jones
read from Stone Works and The A
Poems on February 19, 2003, at the
Borders Bookstore in the
Bridgewater Commons Mall,
Bridgewater, New Jersey. The audience stayed after the reading for a question and
answer period. He
signed books and gave a critique of poems from one brave member
of the Borders Poetry Group. Copies of Stone Works and The A
Poems are available
at Borders.
Call the store for details:
290 Commons Way
Bridgewater Township , NJ 08807
Phone: 908.231.0111
2/18/2003 – Chicago, IL The
A Poems, the first collaborative
project published by Fractal Edge Press, will be available for sale at the
Borders Bookstore book signing in Bridgewater, New Jersey. The sixty-four page
book contains twenty-five poems about women in the life of one of the authors,
Bernard W. McCabe – friends, acquaintances, lovers, daughter, ex-wife. McCabe
wrote the first drafts, and Wayne Allen Jones, author of Stone Works,
wrote the finished versions. The strength of diction and phrasing, the power of
these poems is in their ability to bring out the inmost feelings of their
subjects, to make readers experience those feelings in a breathtakingly
immediate way. The two writers have been accused of stealing these poems “from a
coin Laundromat while the real author put her damp sheets and towels in a
commercial-sized dryer.” The price of the book is $10, and will be generally
available as soon as Jones gets the distribution part of the business in order.
Until then you can order it by sending email to
FEPsales@FractalEdgePress.com.
The printer:
Corporate Graphics
5652 N. Northwest Highway
Chicago, IL 60646-6136
Hank Goers, Project Leader
T: 773-775-4311
F: 773-775-3604
print@corpgraphics.biz
9/30/2002 – Chicago, Illinois: Stone Works,
the inaugural edition from Fractal Edge Press,
was published in September 2002, shortly after Jones’ unannounced move to
Chicago.
The book is selling; the word is spreading. The list price is $12.00. For volume
pricing
(10 copies or more) send email to
FEPsales@FractalEdgePress.com.
The printer:
The Conservatory of American Letters
PO Box 298
Thomaston, ME 04861
Phone: (207) 354-0998
FAX: (207) 354-8953
Email: cal@americanletters.org
Website: www.americanletters.org
Contact: Robert Olmsted
Web Changes
Look here for recent
additions to the Fractal Edge Press web site.
![[New!]](images/smallnew.gif) Fractal Edge Press web
site adds Links page - perpetually under development
Links for Poetry,
Publishers, Art, Music, and Fractals
Fractal Edge Press web
site adds Random Background page - under construction
Web photo collection, bio
blurbs, random other things as yet undefined
- Fractal Edge Press
Establishes Internet Presence
- See the press release ("FEP Goes Live on Net") for more
details.
-
- Product Announcements
- See the announcement for Stone Works for
more details.
See the announcement for The A Poems for
more details.
See the announcement for Decades of Rehearsal for
more details.
Press Releases
These are the press releases we've issued
over the last year.
Recent Media Coverage of
Fractal Edge Press
- Title, Publication, Date
- Title, Publication, Date
- Title, Publication, Date
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